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Subject: FZ BIBLE 11/11 MORE 3RD ACC TAPES (1954)

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FREEZONE BIBLE ASSOCIATION TECH POST



FZ BIBLE 11/11 MORE 3RD ACC TAPES (1954)



**************************************************



Here are another 11 of the 3rd ACC (Advanced Clinical Course)

lectures of early 1954.



These are based on existing freezone transcripts.  We had 2 of

the reels (3ACC-04 and 3ACC-63) which we used for a second proof 

to ensure the accuracy.  We did not have reels for the remaining 9 

(they must exist in the freezone somewhere because they were 

transcribed).  There are some problems with the transcripts

for 3ACC-23 and 3ACC-41, as noted in those files and if anyone

does have these tapes, please verify these transcripts.



In all cases, we also consulted Alphia Hart's notes on the

3RD ACC which were taken during the lectures and any descrepancies

or missing sections have been marked.



3rd ACC lectures 24, 25, 32, 35, 42, and 66 were posted

earlier this year as "FZ BIBLE 0/6 SOME 3RD ACC TAPES (1954)"



3rd ACC Lectures 6A, 6B, 8, and 44 were posted last year

and reposted earlier this year.



We are sorry to be issuing this ACC in bits and pieces but

NONE of these lectures have been available from the Cof$

for many years and we are finding them a few at a time amoung

old timers in the freezone.





**************************************************



CONTENTS:



1.  3ACC-04 BOREDOM, PACE OF LIVING, TRUTH

2.  3ACC-07 PROCESSING DEMO: RANDOMITY PLUS AUTOMATICITY

3.  3ACC-23 LABELS:  BEINGNESS AND JUSTICE, CONT.

4.  3ACC-37 LIVINGNESS PROCESSING SERIES (DYINGNESS)

5.  3ACC-40 GOALS OF 8-O (OT) ABILITIES

6.  3ACC-41 BASIC DATA ON 8-O (OT)

7.  3ACC-43 O.T., INVERSION: COURAGE AND MOBILITY

8.  3ACC-57 GROUP PROCESSING ON CERTAINTY, 8 DYNAMICS

9.  3ACC-59 GROUP PROCESSING, AUTOMATICITIES

10. 3ACC-63 GROUP PROCESSING ON CLASS - BEING MEST

11. 3ACC-67 GROUP PROCESSING ON CLASS:  RESIST EFFECT



Jan to early Feb 1954.



**************************************************



STATEMENT OF PURPOSE 



Our purpose is to promote religious freedom and the Scientology

Religion by spreading the Scientology Tech across the internet.



The Cof$ abusively suppresses the practice and use of

Scientology Tech by FreeZone Scientologists.  It misuses the

copyright laws as part of its suppression of religious freedom.



They think that all freezoner's are "squirrels" who should be

stamped out as heritics.  By their standards, all Christians, 

Moslems, Mormons, and even non-Hassidic Jews would be considered

to be squirrels of the Jewish Religion.



The writings of LRH form our Old Testament just as the writings

of Judiasm form the Old Testament of Christianity.



We might not be good and obedient Scientologists according

to the definitions of the Cof$ whom we are in protest against.



But even though the Christians are not good and obedient Jews,

the rules of religious freedom allow them to have their old 

testament regardless of any Jewish opinion.  



We ask for the same rights, namely to practice our religion

as we see fit and to have access to our holy scriptures

without fear of the Cof$ copyright terrorists.



We ask for others to help in our fight.  Even if you do

not believe in Scientology or the Scientology Tech, we hope

that you do believe in religious freedom and will choose

to aid us for that reason.



Thank You,



The FZ Bible Association



**************************************************

 

3ACC-67 GROUP PROCESSING ON CLASS:  RESIST EFFECT



[An existing freezone transcript from old reels.  Alphia Hart

missed this lecture and therefore no notes are available for

confirmation.  Need reel for proper proofing.]





GROUP PROCESSING ON CLASS:  RESIST EFFECT



5402C11, 3ACC-67, 11 February 1954





OK, and this is the second hour of processing on February eleven, 

1954.  I, you won't need any notes.



Now the essence of the machine of course is its repetitiveness.  

But there's another essence to any such machine, which really 

compares with repetitiveness, and that of course is simply resist 

all effects.  The machine must resist all effects.  So right away 

let's, without worrying about that or having been evaluated about 

it, let's take a look at this manifestation of certainty about no 

change.



Now let's be way out someplace if you can, and get a, get a, 

anything there now that is going to resist all effects.  Got 

something there that will resist all effects?  Good, let's set that 

aside and get something else that'll resist all effects.  Now let's 

set that aside and resist all effects, get something else to resist 

all effects.  Now let's be this thing that's resisting all effects, 

any one of these that you've gotten, let's be it.  And be the 

qualities of it.  And get what you'd really have to do now, to 

continue this quality of resisting all effects.



Now ask yourself effects of what, what effects particularly.  Get 

very selective now, instead of all, let's get selective.  What 

particular effects must we resist to be this thing.  Alright, now 

let's make those things occur and resist them.  And let's do that 

rapidly, make the effect occur and resist it.  At least make it 

come toward you and resist it.  Get the degree of alertness 

necessary now to resist the whole thing.



OK, now let's throw that away, and be the MEST universe and resist 

all effects.  Set that aside and do it again.  And set that aside 

and do it again.  And set it aside and be the MEST universe and 

resist all effects again.  Now set that aside and be the MEST 

universe, and now resist all possible impulses coming from a 

thetan.  Set it aside and do it again.  Set it aside and do it 

again.  Set it aside and do it again.



Alright, set that aside and be the MEST universe and sort out your 

goals.  What are your goals.  Oh, set that aside now, and be the 

MEST universe once more, and sort your goals out.  And set that 

aside and be the MEST universe and sort out your goals with regard 

to a thetan.  And set that aside and do it again.  Throw it away 

and do it again.  Throw it away and do it again.  Throw it away and 

do it again.  OK.



Be up above Phoenix, and mock-up something going in and out of a 

building or a piece of rock.  Do it a lot of times.  OK.  Now, 

let's mock-up the person who is the most antipathetic to your 

beingness.  We've all got a favorite goat, let's pick out this 

goat, and let's start this person, mock them up and start this 

person going in one direction and then stop them.  Start them going 

in another direction then stop them.  Start them going in another 

direction, then stop them.  And continue this up as an exercise.  

If the mock-up fades out put another one back.



Alright, now set that aside, and if getting a mock-up of this 

person was a little bit difficult, why let's mock them up changed 

in some way or another.  And then change them again, and change 

them again, and change them again, and change them again, just in 

appearance or a characteristic in some fashion, no matter how 

slight the change is.  Alright, now set that aside, mock them up 

again, and get them moving in various directions, start them and 

stop them.  Start them and stop them, put barriers in front of them 

and stop them, and start them in a new direction, and put another 

barrier in front of them and stop them.



OK, let's set that person aside now and mock-up some possession of 

this person, and start it and stop it in various directions.  Now 

change it.  Change it some more, change it again, change it again. 

OK, now mock-up this person again, throw that away, mock-up this 

person again and change this person a few times.  Some article, 

even place of residence, some change.   OK, now let's mock-up this 

person and start this person going, and put a barricade in front of 

them and stop them.  And start them going again, and drop another 

barricade in front of them and stop them.  Continue that as an 

exercise.



OK, set that person aside, let's get another person and start and 

stop this person.  Alright, set that person aside and now let's 

take any person, mock-up any person you can get a good mock-up of 

and start and stop this person by booting them ahead and dropping a 

barrier in front of them.  And booting them ahead and dropping a 

barrier in front of them.  Alright set that aside and get a mock-up 

of any person, and change the mock-up.  And change it several 

times.



OK, set that person aside and get another mock-up of a person, and 

start this person going in one direction and then drop something in 

front of them and stop them, and start them going and drop 

something in front of them and stop them again.  Go on with that 

exercise.  OK, set that aside and get the mock-up of any other 

person, and start and stop this person similarly.



OK, now get a mock-up of any other person, and change this mock-up 

several times.  OK, set that person aside, get a mock-up of another 

person, old or young, and similarly of course.  OK, set that person 

aside.  Now see if you can get a mock-up of your own body, and 

start it and stop it.  Even if you have to take a pin to it to 

start it, throw up a barrier to stop it.  Start and stop it, start 

and stop it, and start and stop it.  If it fades or does something 

like this, put another mock-up there.  OK, do it again.



Now, duplicate any automaticities which have occurred during this 

processing of these people.  Duplicate it and duplicate it and 

duplicate it, if any automaticities occurred, any sudden 

uncontrollability.  Duplicate it many times.



Alright, now mock-up your own body, and make it flip-flop, with 

great franticity.  Now set that aside and make your body flip-flop 

real good now in a very public, embarrassing place.  Now set that 

aside, and rig up this incident so it's even much more 

embarrassing, and make your body flip-flop, and do something 

obsessively, completely out of your control, in a very, very public 

place.  Do it again.  Do it again.  Do it again.  Set it aside and 

do it again.  This time get more artistic about it.  Set it aside 

and do it again.  And again.  This time get it doing it 

uncontrollably.  And set it aside now, and let's get something else 

there that would be terrifically embarrassing to happen.  

Terrifically embarrassing, and make the body go right straight 

through it and do it, in its most embarrassing fashion.  Do it 

again.  OK, now just mock-up your body and have it flip-flop, and 

then stop it from flip-flopping.  And then make it flip-flop and 

stop it from flip-flopping.  Do that several times.



OK, now throw that aside and now look around, and whatever you see, 

duplicate it.  And duplicate it, and duplicate it, and duplicate 

it, and duplicate it many, many times.  Now find the most certain 

thing about your condition, the most certain thing about your 

condition, and duplicate it, and duplicate it, and duplicate it, 

and duplicate it, and duplicate it, many times.  More times.  



Now  pick out the thing which you could most certainly be earlier 

in today's processing, or anything which you can be with great 

certainty, and duplicate it, and duplicate it, and duplicate it, 

and duplicate it, and duplicate it.  Let's get lots of duplicates 

of it.  Oh, many more duplicates of it.  Now pull them all 

together.  OK.  Throw them away, do something with them.



Alright, now mock-up your body.  Get your body, and get you as a 

dot of light, a thetan, going in and out of the head, a yo-yo 

effect, and being very embarrassed in front of people if you can't 

do this just right, but you keep yo-yoing.  In and out, in and out. 

Get how embarrassing this is to your body.  How embarrassing this 

is to you.  



OK, throw that aside and give me some places where you are not.  

Some more places where you're not.



Now mock-up yourself as you would like to have yourself.  And do it 

again, and again, and again, and again, and again.  OK.  



Give me some more places where you are not.  



And give me a series of particles, two or more, that you don't have 

to hold apart.  And now a series of particles, two or more, that you 

don't have to hold together.  OK.



Now be up above Phoenix and make things un-fall, from the surface 

of Earth into the sky.  All kinds of things, make them un-fall.  

Make they fly from the surface of Earth into the sky.  Lots of 

them.  Now get one of them and tie a ribbon on it.  OK, do what you 

please with all those now.  



And let's mock-up a cube, space, a cube of space, and grant prediction 

to it.  And another one, and another one, and another one, and another 

one.  Lots of cubes of space. Alright, throw those away, and now let's 

get cubes of space now, and grant wrong prediction to them.  More of 

them.  More of them.  Alright, do what you please with those, or what 

you can.



And get cubes of space and grant prediction to them.  OK, now let's 

get cubes of space, and grant non-prediction to them.  Put it 

there, then grant non-prediction.  OK.



Now let's just take person after person at random, and two or three 

times for each person mock them up and grant prediction to them.  

Mock-up each one two or three times.  OK, now let's do this to 

people, and grant non-prediction to them.  



Now let's take some cubes of blackness and grant non-prediction to 

them.  One right after the other.  OK, some cubes of whiteness, and 

grant non-prediction to them.  Now some planets, and grant non-prediction 

to them.  And some suns, and grant non-prediction to them.  And now 

some cubes of blackness, and grant prediction to them.  And some 

cubes of whiteness, and grant prediction to them.  And some 

planets, and grant prediction to them.  And some suns, and grant 

prediction to them.  OK, throw those away or dispose of them as you 

will, and mock-up your body and grant some prediction to it, and 

repeat that, duplicate it many times.  Alright.



Now, mock-up your body and grant non-prediction to it.  Now grant 

prediction to it.  OK, set that aside.  Now mock-up somebody else 

and have this person grant prediction to you.  And set them aside 

and have them to it again, set them aside and do it again, set them 

aside and do it again.  Get another person, do it some more.



Alright, now let's get somebody and have them grant non-prediction 

to you.  Duplicate it many times.  OK.  Get another person, have 

this person grant non-prediction to you.  Do it many times.  



Alright, put that aside, and get a book and grant prediction to it. 

And then a whole bunch of books, one after the other, and grant 

prediction to each one.  Alright, let's grant non-prediction to 

them now.  OK.  Now let's grant prediction to a number of books.  

Now let's grant non-prediction to a number of motion pictures.  Now 

let's grant prediction to a number of motion pictures.  OK, 

prediction now to a number of text books.  Non-prediction to a 

number of text books.  OK.



Let's be up above Phoenix somewhere and find some places where 

you're not.  



Now, let's mock ourselves up as something which has to be stopped, 

by an exterior agency.  And move it aside and do it again, and move 

it aside and do it again, and move it aside and do it again.  

Something that has to be stopped.  Many times.  OK.



Now let's mock ourselves up as something that has to be started.  

Set it aside and do it again, set it aside and do it again, set it 

aside and do it again.  OK.  Now let's mock ourselves up as 

something that has to be changed.  Continue to duplicate it.  OK, 

now again as something that has to be stopped.  Set it aside and do 

it again.  OK.  Now mock ourselves up as something that has to be 

started.  Set it aside and do it again.  Continue to do that.  OK.



Now let's mock ourselves up as something that must be changed, and 

set it aside and do it again, and set it aside and do it again.  

Continue to do that.  OK.



Now let's mock ourselves up as something which can only operate on 

attention from outside agencies.  Set it aside and do it again, set 

it aside and do it again.  OK.  



Now let's mock ourselves up as a communication machine.  And get 

the amount of attention necessary to operate.  Set it aside and do 

it again, and set it aside and do it again, and set it aside and do 

it again.  Do it again, a communication machine and the amount of 

attention necessary to operate.  Many times.  Well OK.



Now let's find some places where you're not, and some things you're 

not being at the moment.  And some places where you don't have to 

arrive.  And a series of particles you're not trying to hold apart. 

And a series you're not trying to hold together.  And a series of 

particles somebody else isn't holding apart, a specific person.  

And a series of particles somebody else, a specific person, is not 

trying to hold together.



And now some things which you don't need energy for at this second. 



And some people you are not at this moment under arrest for having 

killed.  



And some things which are very serious.  And some more things that 

are very serious.  And some more things that are very serious.  Well 

get one with certainty.  Some more.  



Now let's get some cats that are not at this moment pretending they 

are you.  



And some mountains that are not known by your name.  Well get one at 

least.  



And some horses that are not eating spinach.  



And a logical reason, completely logical reason.  That's all, just a 

logical reason.  Some more logical reasons.



Now mock-up your body laughing and getting shot.  Set it aside.  

Mock-up your body laughing and being shot for it.  Many times, over 

and over.  Now have it be ground to fine powder just because it 

laughed.  Now be the MEST universe and inhibit all laughter.  OK.



Be your favorite machine.  Now be the machine that nobody must 

touch.  ...

 

[end of transcript]



***********************