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Date: 13 Jul 1999 10:10:08 -0000
Subject: FZ BIBLE 9/11 MORE 3RD ACC TAPES (1954)
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FREEZONE BIBLE ASSOCIATION TECH POST

FZ BIBLE 9/11 MORE 3RD ACC TAPES (1954)

**************************************************

Here are another 11 of the 3rd ACC (Advanced Clinical Course)
lectures of early 1954.

These are based on existing freezone transcripts.  We had 2 of
the reels (3ACC-04 and 3ACC-63) which we used for a second proof 
to ensure the accuracy.  We did not have reels for the remaining 9 
(they must exist in the freezone somewhere because they were 
transcribed).  There are some problems with the transcripts
for 3ACC-23 and 3ACC-41, as noted in those files and if anyone
does have these tapes, please verify these transcripts.

In all cases, we also consulted Alphia Hart's notes on the
3RD ACC which were taken during the lectures and any descrepancies
or missing sections have been marked.

3rd ACC lectures 24, 25, 32, 35, 42, and 66 were posted
earlier this year as "FZ BIBLE 0/6 SOME 3RD ACC TAPES (1954)"

3rd ACC Lectures 6A, 6B, 8, and 44 were posted last year
and reposted earlier this year.

We are sorry to be issuing this ACC in bits and pieces but
NONE of these lectures have been available from the Cof$
for many years and we are finding them a few at a time amoung
old timers in the freezone.


**************************************************

CONTENTS:

1.  3ACC-04 BOREDOM, PACE OF LIVING, TRUTH
2.  3ACC-07 PROCESSING DEMO: RANDOMITY PLUS AUTOMATICITY
3.  3ACC-23 LABELS:  BEINGNESS AND JUSTICE, CONT.
4.  3ACC-37 LIVINGNESS PROCESSING SERIES (DYINGNESS)
5.  3ACC-40 GOALS OF 8-O (OT) ABILITIES
6.  3ACC-41 BASIC DATA ON 8-O (OT)
7.  3ACC-43 O.T., INVERSION: COURAGE AND MOBILITY
8.  3ACC-57 GROUP PROCESSING ON CERTAINTY, 8 DYNAMICS
9.  3ACC-59 GROUP PROCESSING, AUTOMATICITIES
10. 3ACC-63 GROUP PROCESSING ON CLASS - BEING MEST
11. 3ACC-67 GROUP PROCESSING ON CLASS:  RESIST EFFECT

Jan to early Feb 1954.

**************************************************

STATEMENT OF PURPOSE 

Our purpose is to promote religious freedom and the Scientology
Religion by spreading the Scientology Tech across the internet.

The Cof$ abusively suppresses the practice and use of
Scientology Tech by FreeZone Scientologists.  It misuses the
copyright laws as part of its suppression of religious freedom.

They think that all freezoner's are "squirrels" who should be
stamped out as heritics.  By their standards, all Christians, 
Moslems, Mormons, and even non-Hassidic Jews would be considered
to be squirrels of the Jewish Religion.

The writings of LRH form our Old Testament just as the writings
of Judiasm form the Old Testament of Christianity.

We might not be good and obedient Scientologists according
to the definitions of the Cof$ whom we are in protest against.

But even though the Christians are not good and obedient Jews,
the rules of religious freedom allow them to have their old 
testament regardless of any Jewish opinion.  

We ask for the same rights, namely to practice our religion
as we see fit and to have access to our holy scriptures
without fear of the Cof$ copyright terrorists.

We ask for others to help in our fight.  Even if you do
not believe in Scientology or the Scientology Tech, we hope
that you do believe in religious freedom and will choose
to aid us for that reason.

Thank You,

The FZ Bible Association

**************************************************
 
3ACC-59 GROUP PROCESSING, AUTOMATICITIES

[An existing freezone transcript from old reels.  Checked against 
Alphi Hart's notes.  Need reel for proper proofing.]


GROUP PROCESSING, AUTOMATICITIES

5402C08, 3ACC-59


February eight, first afternoon hour.  I want you now to reverse
your chairs so that you're facing the other end of the room.
Alright.  Now the reason I'm doing this if you've go to have a
reason, is we're just simply reversing the auditing flow.  That's
the only significance to this.

OK?  I want you to spot now any automaticity which has occurred
and resulted in a bog down, that is you have had in any auditing
you have ever had.  Just spot one.  And be way away from your
body.  Now come on, let's spot one of these automaticities.  Spot
an automaticity.  Now duplicate it.  And duplicate it, and
duplicate it, and duplicate it.  Go on, just put it up there and
duplicate it, lots of it.  Lots of duplicates of it.  Lots of
duplicates.  More of them.

Now get the idea of being the auditor in this session.  Get the
idea of being yourself.  Being the auditor in this session.  Now
mock-up a lot of duplicates of yourself as the auditor in this
session.  Now be yourself and mock-up a lot of duplicates of
yourself having this automaticity.  Now be the auditor and mock-up 
an awful lot of duplicates of you being the auditor.  OK.

Now throw that away.  Mop it up, do something with it.  And
duplicate now what you've just done.  Many times.  Duplicate what
you've just done.  Alright, throw that away.  

Now give me three things you don't have to duplicate.  Three things 
you don't have to duplicate.  Some more things.  And now some things 
that aren't demanding that you duplicate them.  Some more things that 
aren't demanding that you duplicate them.  Some more things that 
aren't demanding that you duplicate them.  

Now let's check off some places where you are not.  

And get some places now that aren't demanding that you duplicate 
them.  

And now some people that aren't demanding that you duplicate them.  

And now some years that aren't demanding that you duplicate them.  
Some years that aren't demanding that you duplicate them.  

And now some places where you are not thinking.

Alright, let's get the idea now of going away, coming back,
finding nothing and putting something there.  And just continue
to run that cycle for a while.  

OK, let's check over now some dead bodies that you are not.  Some 
more.  Some dead bodies that you are not.  More dead bodies that 
you are not.  More of them. 

Now let's get some statues that you are not.  OK.  

Now let's check over some things which don't have to remind you 
of something.  Some things that don't have to remind you of
something.  Get at least one that you're very certain of.

Alright, let's mock-up a guiding light now.  And more and more
and more guiding lights.  Make it glitter more.  More of them,
and more of each one of them, and denser on each one, and get the
fire on it hot and radioactive.  See if you can get it to
continuously glow, or get them to continuously glow.  Lots of
them now.  More of them.  If they do anything peculiar, just keep
putting them where you were putting them originally.  Just keep
putting them there.  More glow, more power, more glitter.  Put
some more of them there.  More of them.  More guiding lights.
And have the guiding light tell you what the future's going to be
like.  And keep putting it there while it tells you all about the
future.  Have it tell you a century's made out of vanilla gum
drops now.  Have it insist on this.

OK.  Give me several places where you are not.  Some more places
where you are not.  

And with your eyes closed now see a MEST object.  Look straight 
through it, and look through all succeeding objects.  At another 
MEST object, and look through it. 

OK, now find something real in your environment, and not using
your hands reach for it and withdraw from it.  Do that again.
OK.

Now be at some distance from the body.  Alright.  Now think a
thought.  Now have that thought be the cause of all of your
difficulty.  And get the reasons why it is.  Think another
thought, and have that thought be the cause of all of your
difficulties.  And get the reasons.  Get some kind of a picture
now, even though it is black, and assign it the cause for all of
your difficulties, and get the reasons why.  And another picture,
and assign it cause for all of your difficulties, and get the
reasons why.

Now take any well known label or brand, trademark, assign it the
cause for all of your aberration and down fall, and get the
reasons why it is.  Now get how much courage it's going to take
you to go on, after you knew this.  

Now pick out a person, assign this person all of the cause that 
has made you into such an effect.  And get four nonsense reasons 
why this is so.  Now pick out a movie actor and assign him the 
cause for all of your difficulty, and then nonsense reasons as 
to why.

OK.  Mock-up a black box, move it to the right and stop it.  Move
it to the left and stop it.  Decide which is right and left.
Move it to the right and stop it.  Black box, move it to the left
and stop it.  Move it up and stop it.  Move it down and stop it.
Now turn it around and stop it.  Move it up and stop it.  Move it
behind you and stop it.  Now change it.  Now start it, now stop
it.  Now change it.  Now start it, now stop it.  Now change it.
Now start it.  Now stop it.

Now give me some places that you know you are not.  

And some things which you don't have to believe are real.  Some 
things which you don't have to believe are real.  

Some things you don't have to agree to.  

Now get various bodies in which you are not stuck.  

Now pick out various auditing sessions that you have had, one 
after the other, and assign to each one the cause of all of
your difficulties.  Get more of them, and assign to each one,
"This is the cause of all my difficulties.  When I was a child
too."  Some more auditing sessions.

Now give me some places where you are not.  

And now some places where you will not be thirty seconds from now.  
Some more.

Alright, now get some places you are not at this moment being
ordered to go to.  

Now get some emergencies which are not demanding your immediate 
presence.  Now some circumstances, preferably catastrophic, which 
are not demanding your immediate presence.  

Now some places where you are not at this moment going unconscious.  
Some more.  Now some places where you are not at this moment dying.  
Now some places where you are not immediately going unconscious.

OK.  OK.  Let's mock-up now a guiding light.  Same way, more of
them.  Lots of them.  Lots more of them.  

Now let's get some form of light or darkness which you can easily 
reject and throw away. Some form of light or darkness which you can 
easily throw away. Change its quality or value until you can throw 
it away.

OK.  Now check off some of your possessions, some of your
possessions that you could throw away with certainty.  Some of
the things which you have which you really could throw away.  OK.

Now let's be way up, look over the environment right where you
are, and have object after object, put the thought in each one of
them of looking up and assigning cause to you.  You're the cause
of me or of this.  Get object after object now assigning cause to
you.  You're the cause of all this.  On object after object,
looking at you now reverently and saying, "You're the cause of
all this."

OK.  Now have object after object look at you and say, "You're
the blame for this."  Object after object.  

Now pick out people in the environment and have each one of those 
firmly with the thought, "Shame on you, you're to blame for this."  
Now put the thought in a lot of these people now, "We know all about 
you." "You don't know but we know."  Put that thought in them now.

Now give me some places where you are not.  Some places where you
are not.  

And all those tending to dope off in this process, and all 
others, particularly those tending to dope off here, those
tending to dope off, those tending to dope off start mocking up
unconscious people.  Start mocking up unconscious people.  The
idea being to mock-up unconsciousness.  Let's just mock-up large
numbers of unconscious people.  Large numbers of unconscious
people.  More of them, more of them, more of them.  Now let's
start mocking up unconscious people and changing them into you.
Unconscious people, change them into you as a thetan. Unconscious 
people, change them into you as a thetan. Unconscious people, 
change them into you as a thetan.  OK.  Throw them away.

And give me some conditions which you are not in.  Some
conditions which you are not in.  Some more conditions that
you're not in.  

Now let's check off some bank vaults which you are not in at the 
moment.  Some bank vaults that you are not in at the moment.  

Now let's check off some stoves that you are not in at the moment.  

Now let's check off some houses you do not have to run out of 
at this moment.  

And some tortures it is not necessary for you to avoid at this 
moment.  Some tortures not necessary for you to avoid at this 
moment.  

Let's check off some wild animals that are not attacking you.  

Now let's check off some things now that did not create you.

OK.  Let's mock-up some guiding lights.  Lots of them.  Some
guiding light.  Lots of them.  More guiding lights.  Many more
guiding lights, masses of them, lots of them.  Billions of them.
Guiding lights, each one saying independently, "Come this way."
While doing that, have some appear behind you, doing the same
thing.  OK.  Just mock-up mobs of guiding lights.  Do what you
please with them.

And give me three places where you don't have to be in the next
three seconds.  Some more.  Some more.  OK.

Mock-up a sound.  Change it and stop it.  And then keep on doing
that, time after time after time after time.  Just mock it up.
Change it.  Stop it.  Mock it up, change it, stop it.  I don't
care what kind of a sound it is.  Anything you can get.  Mock-up
a sound, change it, stop it.

Alright, get a mock-up of you now being bombarded with sound from
all sides, going frantic and spinning in.  Duplicate it.
Duplicate it.  Duplicate it.  Duplicate it.  Duplicate it.  

Now mock-up a beam of light.  Change it and stop it.  Mock-up a 
beam of light, change it and stop it.  Again.  Again.  Again.  Do 
it some more.  Now get it to come from another direction entirely,
one you've neglected.  Change it and stop it each time.

Now give me some predicaments, some predicaments from which you
are not trying to extricate yourself.  Some difficulties from
which you're not trying to pull yourself out.  Some more
difficulties from which you're not trying to pull yourself out,
and spot where these are geographically each time.

Now get several places where you're not trying to bring yourself
back to life.  Some more places where you're not trying to bring
yourself back to life.  Now some places where somebody else is
not trying to bring you to life.  Now some places where somebody
else isn't trying to bring himself back to life.  And some places
where you are not trying to bring somebody back to life.  And
some mythical or fictitious lives where you're not trying to wake
yourself up in.  Some mythical, fictitious lives into which you
are not trying to wake up.

OK.  Give me a couple of particles now that you don't object to
having together.  A couple of particles you don't object to
having apart.  And get somebody else and get a couple of
particles this person doesn't object to having apart.  And
doesn't object to having together.

Now name to yourself several people, several people you don't
have to have with you in order to be audited.  C'mon, let's get
some.  

And give me some places where you are not.  

Be way up in the sky somewhere.  Way up.  And now get something 
in front of you and say, "I'm now going to move it in this 
direction," and move it in that direction.  Something else, and 
move it another direction.  Continue that exercise.

Now let's find something real in the environment, and reach it
and withdraw from it.  

Find something else real in the environment, and look straight 
through it.  

Now give me some items that are not hopeless.  Some more items 
that are not hopeless.  Something about the future that is not 
hopeless.  

Now get some things you are not at this moment causing.  

Some places where you are not.  

Some places where your body is not out of control.  

Now feel something.  Any way you care to, just feel something.  
Determine whether or not you felt it.  Determine whether or not 
you cause it.

Now get the person that you least would like to think you were
like.  That you least would like to think you were like, and mock
yourself up as that person.  Mock yourself up as that person,
flanked by mobs of that person.  More of that person.  Now get
that person considering you with their traditional attitude you
find in that person.  You have the attitude.  And consider you.
Now mock-up mobs of you again as that person considering you as
an individual.  Again.  Again.  Again.  Again.  Again.  Now mock
yourself up as yourself considering that person.  Again.  Again.
Now as that person considering you.  Again.  Again.

And now give me some places you are not.  

Some conditions you do not have to be in.  

Find something that's really real to you.

Find the floor beneath your feet.  

Locate the anchor points of the room.  

Find the floor.  

End of session.

[end of transcript]

***********************




