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Subject: FZ BIBLE 5/13 ROUTE TO INFINITY TAPES

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FREEZONE BIBLE ASSOCIATION TECH POST



THE ROUTE TO INFINITY TAPES (TECH 80 LECTURES) 5/13



Our purpose is to promote religious freedom and the Scientology

Religion by spreading the Scientology Tech across the internet.



The Cof$ abusively suppresses the practice and use of

Scientology Tech by FreeZone Scientologists.  It misuses the

copyright laws as part of its suppression of religious freedom.



The writings of LRH form our Old Testament just as the writings

of Judiasm form the Old Testament of Christianity.



We might not be good and obedient Scientologists according

to the definitions of the Cof$ whom we are in protest against.



But the Christians are not good and obedient Jews and yet

are allowed to have their old testament regardless of any

Jewish opinion.



We ask for the same rights, namely to practice our religion

as we see fit and to have access to our holy scriptures

without fear of the Cof$ copyright terrorists.



We ask for others to help in our fight.  Even if you do

not believe in Scientology or the Scientology Tech, we hope

that you do believe in religious freedom and will choose

to aid us for that reason.



Thank You,



The FZ Bible Association



**************************************************



( 19 May 52 WAVELENGTHS OF ARC continued from part 4/15)





Well, enough people agreed hard enough one time about the

MEST universe to make various things in the MEST universe.

And that's the long and short of it, and that's why you got

a MEST universe. That's reality!



But if you go around searching for what people say you must

face and call reality, in other words, if you go around

obeying this thing "Well, the only thing that's wrong with

you can be healed and so forth if you just face reality.

Now, if you will just pay me twenty-five dollars an hour

and face reality, we'll all be nuts." Excuse me, I mean,

we'll all be rich. That's wrong too, because the patient

would be poor. That is your standard therapeutic advice,

however. Face reality! In other words, agree with

everybody!



Well, I don't know how sick you can get reading Dale

Carnegie, but it's not well. Because to some slight degree

you become that with which you agree. If you agree that the

desert is a dirty place, you will become dirty. Blunt as

that! You become to some degree that with which you agree.

And the only way you can escape it is to go up - high enough

up the tone scale so that you are creating an illusion for

yourself.



I saw a cartoon one day, a wonderful cartoon, a wonderful

cartoon. It said, "Doctor, I just go on day after day

facing the same grim reality." He had learned to face

reality 100 percent and he was a sick man.



What you've got to teach a man to learn, if you are going

to teach him to learn anything, is you've got to teach him

to face his own illusions. To hell with his reality -

everybody has got reality. Throw it overboard.



You start agreeing with every reality that you run into and

you will have a good time!



Now, in Dianetics you go out in the society and you wonder

why you have gone out of communication just a little bit.

It's because you don't any longer agree with their reality.

You've said their reality is too MEST! Because, you see,

reality is on this gradient scale too.



And you've seen a society which is perfectly willing to be

in chaos. What's this? This thing is in chaos; it's a solid

chaos. It's going in all directions this way and so on, and

it's going all so furiously and so fast and with so much

force that it became solid, and so there it is, a solid chaos.



And you get the society: as it goes down the tone scale it

approaches that chaos. And when you get a living culture

which has gone down the line to where it doesn't care about

this and it doesn't care about that and it says this is

that and so on, and so on and so on, it's getting too close

to being a dead culture. And you, being a little higher up

the tone scale, say, "Hey. I don't want to be that dead."

That second, you've gone out of agreement with it! So your

reality goes out of it and you go out of communication with

it.



Did you ever see a Republican and a Democrat communicating?

No, you've seen them talking, not communicating.



One of them says, "And you take that FDR you had! He ought

to have been taken out and shot!"



And the other fellow says, "And Eisenhower -- yap, yap, yap."



They're just talking - yap, yap, yap - no communication.

Why? But it's too broad a thing to say no communication,

because actually it is a point on the communication tone

scale: It's hate-opposed. And so you've got this, and

there's just no line hooked up through, because at this

same point there's no agreement. And, believe me, there's

no affinity; they don't like each other.



And you can say, just bluntly, that there will be as much

communication as there is affinity; there will be as much

agreement as there is communication; there will be as much

affinity as there is communication. They just interact,

interact - any of the three points.



So, you've got this whole band. if you want to go up tone

scale, you'll finally arrive at the beingness which is an

aesthetic beingness, and there alone is enough horsepower

to come right around and actually create or disintegrate

matter. I snuck up on you with that one, but that's what

you do.



Somebody thought this universe up, and I do mean "thought

it up." That's why you can erase an engram. That's why a

fellow who has too many engrams eventually dies; he just

gets to be matter.



How dead can you get? Matter.



All matter, you could say, is dead thought.



Now, we're not trying to produce on you here "all is

illusion" and "God is sex" or whatever that creed was. All

we're trying to introduce here is just this simple fact

that here's a band, and from the top to the bottom of this

band, you actually have one thing: motion. It goes from no

motion, which is the static - the extreme static of thought

- to the frozen motion of matter. There is your band:

motion which is more and more solid, more and more in close

proximity, till you get clear to the bottom.



And way up here at the top we call this theta, just for a

term. We come a certain ways down the band, as long as it

will tolerate sanity and thought - and we say from the top

down here to the bottom level of sanity and thought "This

is theta."



Now, from the point where it will no longer tolerate

sanity, but life is in support and so forth, from there on

down we call it enturbulated theta, or entheta. And from

this point, from the bottom of entheta which is about death

- from there on down (but these are overlapped slightly

here and there) - you have material universe. That's MEST.

And this has been sitting on a tone scale looking at you

for a long time. But there it is, it's a gradient scale.



You can stop kidding yourself anymore about "getting away

from reality," by which you would mean "getting away from

the material universe" or doing this or doing that.



If you want to get rid of the material universe, you'll 

have to erase it.



Best way I can think of to erase it - if we all sat down

and looked at a stone long enough it'd disappear. We're not

that high up the tone scale. The best way to make a stone

disappear is to hit it on the aesthetic band. If you were

way up, that you could probably do. But that's an extreme.



And all we are trying to do with Technique 80 is hook in

affinity, reality and communication. First, find the point

from which you are emanating; that's quite a trick. Next, 

at least take complete possession of your own body, and do 

it in the present and future, not the present and past. And 

then take possession of the dynamics as they go out from you, 

and be able to get into full, high-level ARC on those dynamics.



But this doesn't mean, doesn't mean, that you would suffer

by going into ARC with something that was low on the tone

scale. By building yourself up and by having a jumping-off

point of you finding out who you are and then taking

possession of your body and going on from there - you can't

be enturbulated afterwards on the line, but you are volatile 

enough to be, at will, any point on the tone scale you have 

to be, to be. And at the same time you could soar up and be, 

at will, high enough on the tone scale to influence the 

beingness of any other dynamic. And that is the goal.



And the way you do this is with affinity, reality and

communication alternately. And you'll find out that as you

practice these, taking it in the smallest sphere you've got

.. And by the way, the sphere you'll start with on an

awful lot of people will be a tiny pinpoint of self that

they will eventually find is probably resident well to the

back of the head or in the nose or just behind the left

eye. And this tiny little thing, all of a sudden, is them.

And they say, "For heaven's sakes! I finally found me! I'm

not very big!" And you get them expanding out from there

until they've conquered their nose, and then get them to a

point where they've conquered their left ear and their

right ear and so on - conquest! And keep stringing the

wire, and eventually you will have them conquering

themselves.



You don't pay any attention to engrams, not in this

technique, because you are dealing with present and future.

That's different, you see? That's different.



You ever hear of anybody erasing a future engram? Well, you

actually can! Because an individual could postulate a

thorough upset in the future for himself. He's been so

afraid of the future, he's been so afraid if something

happened to him, that he makes a facsimile of it. It's a

solid facsimile; it'll have thought, emotion, effort and

everything else in it. And you send him up and he'll erase

it. He will also live up to it.



Your fortune teller who sits over the crystal ball and

says, "In your future, I see a ...." (and they look at you

closely) "a dark. ... a dark" - you don't like that, so

they say - "a light .... a light .... a man - woman, yes!"



And you look astonished.



And so they say, "Yes, a light-complected woman, who has

light brown, light uh ... light uh ... corn-silk ... No ...

light red hair! That's right." You say, "And it's very

bad." Huh. The way you tell a fortune, you know? You just

gauge, gauge.



Of course, anybody who is telling a fortune on that level

shouldn't be telling a fortune anyhow. Really, the way you

tell a fortune is move over into the guy's head, see? And

you go .. whoosh, whoosh, whoosh .. and you say, "Gee whiz,

he did!" And you say, I see that there was a very bad

incident when you were twelve." You move into him and make

your body talk; it's very simple. He is flabbergasted too;

he can be counted on being flabbergasted.



The point I am making is that as your gradient scale comes

up, you are more and more able to reach and be where you

choose to be from any emanation point, because you'll find

the point that is you finally becomes you, and you'll

finally find that your action is so free that you are free

to act in any environment merely by wishing to act, wishing

to be.



And on your future time track you are not laying down

engrams of disaster; you are laying down engrams, if you

want to call them so, or solid structures of high-level 

beingness. And you can put them in or knock them out at will.



Did you ever see a fellow dream a dream and then never let

go of it? You know, he says, "Rurhhh!" He's got it, he'll

never change anv part of it. He just can't change it; it's

stuck. He's too consistent. He's going to have a bad time;

he's going to have a bad time.



Other people come around sometimes and stick him with his

own dreams; that's a little bit different. It makes

him - necessary for him not to only erase parts of his own

dream, but to turn around and erase them too.



So you see what this technique consists of: ARC on all the

dynamics to achieve ultimate beingness. Not to just be in

agreement so that you can sell somebody something, but to

volatilely be somebody else so thoroughly, if you want to

be somebody else so thoroughly, that you change them on the

tone scale.



In other words, you decide to be George, not the tone level

of George. You get the difference?



Now, this society and all its salesmanship schools and

everything teach people how to be the tone level of! You

see? They confuse beingness with point or gradient scale of

beingness.



So they say, "Well, the way you sell tractors to this

fellow is you just agree with everything he says." The

salesman that does this is sick. All right. He will get

sick after a while, too.



No, the thing to do is if you want to be that other person,

you just sort of - you know that other person, and you be

that other person. But you could be him on your tone scale.

All of a sudden the guy picks up and becomes very cheerful.



You could theoretically sit at a table and look around the

table at a lot of men, and each one in turn, pick each one

up the tone scale - wsht, wsht, wsht, wsht, wsht. Make the

experiment some time. Get a little processing on 80 and

make the experiment; it's very interesting. Old men - their

wrinkles smooth out of their face. They all of a sudden

will relax; they look comfortable.



Faith healing is actually this technique; it's actually

this technique. But in faith healing they give you the

terrible lot of arbitraries. The way faith healing is

practiced, they say, "Well, now, you take the pain away

from the person, you experience the pain yourself and then

you ..." and so on, see?



Nah! If you can experience somebody else's pain, you have

no business doing faith healing! You've got to be hot

enough - you've got to be a hot rod on this basis, you

know? And you've got to be able to move in and be so much

in motion yourself that the moment you move in, that any

pain they've got goes pyeww!



Pain can't hit you if you are up the tone scale; it can't.

You're up above the counter-effort band as far as pain is

concerned. Neither can you get confused or ridden over in

any way.



So, you find ARC. But what kind of ARC?



You will find out, oddly enough, that as you get ARC on

your own body, there will be times when you are unable to

go into ARC with your right foot, with an ARC 16.0, because

your right foot, to be pulled up the tone scale, has to be

hit with a 0.5. And you say, "All right, at 0.5 and so

forth. Let's see, what's my right foot feel? It's dead! All

right, it's dead." So you hook up a dead communication

line, you understand? It's a communication line of death.

That's a hook-up. That's also an agreement; that also says,

"Well, I am awful sorry for you, foot." And the foot says,

"I've been sitting down here all this time and nobody

paying attention to me or anything." And you say, "Yeah,

that's too bad."



Of course, you really don't give a darn about the level;

you're just trying to bring it up the line. And so you come

up the tone scale with the foot. See? Then all of a sudden 

you've got the foot alive, and there it is; you don't just 

try to go bluntly into the line.



But somehow or other, if you have to, smash a communication

line through to it, any way you can get through to it.



But you'll find out that in running a preclear, this nice

little technique by which you say, "Now, there are various

points on the tone scale, emotionally, and those points are

so-and-so and so-and-so on emotion. All right, what is the

emotion of your right ear?"



And the guy thinks for a moment. "Apathy," he'll say. "My

gosh, yes, it's apathy."



"All right. Feel apathy with your right ear."



"Okay, I did."



"All right. Now what do you feel with your right ear?" 



"I don't know. I don't know  - sort of scared or something." 



"All right. Feel afraid for your right ear." 



"Okay. Okay. Yeah. You know, it - it feels resentful now." 



"Okay. Okay. Be resentful with your right ear.



"Resent, resent, resent." Yeah. I don't know. It's bored 

with the whole thing."



"All right. Feel bored with it. All right, let's feel

enthusiastic with the right ear now."



"Yeah," the guy says, "yeah, yeah, yeah, I can do that. You

know that ear is alive? It's been dead for the longest

time."



The next point on the line, of course, is, "What affinity

does your right ear feel?" You just come up the emotional

scale again on the level.



"What is the quality of communication with your ear?"



Now, let's not worry about the communication line, let's

just worry about being in communication with it. And at no

time - and this is an essence of the thing - at no time

try to pick up an understanding: "What does your right ear

think about life?"



"Well, it thinks mathematics is too hard."



Oh, you can get some wonderful ones: "It has the feeling

that it's about to be cut off."



Don't say "All right. Run the feeling that it's about to be cut off."



You know what you'll do? You'll just throw the guy into an

engram. You're running past and present when you do that!



And I'll show you another trick about this, because as soon

as you start up from 4.0, you move into the future. So as

soon as you get the right ear to be enthusiastic, your next

step up the line is "How does it want to be?"



And you'll find it'll sag a little bit. Now pick it up for

him, emotionally. ARC, ARC, ARC. "What's it in agreement

with? What would you have to do to agree with it?" etc.,

etc., etc.



There's a plotted line which I will give you in more detail 

tomorrow night.



But it's stringing wire with ARC to every part of the body,

and then stringing wire on the next dynamic and then on the

next dynamic and then on the next dynamic and the next

dynamic, until you have strung wire in the present and the

future along all the dynamics.



By that time you probably won't be nine feet tall, you will

probably be anywhere up to 186,000 miles per second long or

something like that. I'm not quite sure what you will be,

but it'll be interesting.



The Theta Clear has been in process now, as a developmental

process, since about, as such, the first of January 1951.

The experiments were started on it in Palm Springs. I kept

the lid on it; it's such a habit with me to keep the lid on

it that I feel strange about taking any part of the lid off.

But it has gone along all that time until now. I know what

it can do.



Technique 80 is a little more experimental. You will have

some odd experiences in running it. And as far as I know

now, the best stunt that you can use in running this

technique is lay off of understanding. Don't worry about

the fellow running concepts of thought. Let's just hook up

ARC with that particular point, and then let him practice.

Then you have to get him to practice this way: hook it up

with the right ear and the left ear, and then hook it up

with both at once and then alternately, and then both at

once, then with the skull and with the eyes, then with the

mouth, the ears, the eyes, the skull - combinations. See, he

can be any combination he wants to, till all of a sudden

he's just up speed. His speed has come up to a point where

you say, "Well, be aware of your hands."



And "Yeah! I got hands. What!"



It's interesting that unawareness of the present-time body

is itself grace and aesthetics, good health, sanity and

happiness.



It's very odd. So let's not struggle so hard for awareness.

Let's struggle for the awareness level which will have to

be bridged to get us into a good state.



Tomorrow night I will take up this technique in a little

more detail, take up ARC in a little more detail, as they

apply to this particular thing - the treatment of the body

and all along the dynamics. And until that time, I bid you

all good night. Thank you.



=============