People come in tall sizes, short sizes and assorted colors. There are varied backgrounds, experiences and people who enjoy molded plastic flamingos perched in their front yards.
Despite obviously unique personalities, however, Ron Hubbard encountered one common denominator in everyone: emotions.
Emotions!
He must be talking about that neurotic woman screaming at the mouse, the child throwing tantrums when he can't have a cookie, the frightened soldier who won't go back to the battlefield, the wife sobbing hysterically that her husband doesn't love her.
What's that got to do with you and me and the mild little bookkeeper down the street? We're not emotional. That's a derogatory word.
As I read Ron Hubbard's work, however, I began observing all the people I knew (when unavoidable, I even looked at myself). His statements all appeared to be true. Every person is clinging to some attitude about life—he finds it grim, frightening, regretful, maddening or wonderful—but his viewpoint is not governed by reasoning or intellect. It is determined by emotion.
Ron Hubbard's significant discovery revealed three important facts about emotions:
Accompanying each emotion is a complete, unvarying package of attitudes
and behavior. Therefore, once we recognize that a person is in grief (whether
temporarily or chronically, we can expect him to be lamenting: "I was betrayed.
Nobody loves me. Things used to be better." We also know how he will behave
in most situations. The rich and beautiful actress who takes a bottle of
sleeping pills feels the same overwhelming hopelessness as the skid row
bum sitting in the gutter hugging his empty bottle. Although using different
stage settings and different costumes, they're both reading the same lines.
The person who's looking at the world through apathy-colored glasses is
close to death, no matter what his background or his present environment.
Every comment every decision. every action is colored by his apathy.
It was while researching methods for improving mental health that Ron Hubbard encountered a consistent pattern of responses as people advanced. Helping individuals erase the effects of painful past experiences, he found they often manifested apathy at first and as the work proceeded, they moved through certain emotional stages that always occurred in the same unvarying order for every person: grief, fear, covert hostility, anger (or combativeness), antagonism, boredom, contentment and well-being. This change from painful emotions to pleasant emotions was such a reliable indication of success that he began to use it as the basic yardstick of his progress with each person.
He next found that he could plot these emotional responses on a scale, with the happier ones on the top and the miserable ones on the bottom. Soon it was apparent that every person is somewhere on this scale at all times, although he moves up and down as he experiences fortunes and misfortunes.
It also became evident that the higher a person's position on the Tone Scale of emotions, the better he survives. He's more capable of obtaining the necessities of living. He's happier, more alive, more confident and competent. He's winning. Conversely, the lower the person drops on the Tone Scale, the closer he is to death. He's losing, more miserable, ready to succumb.
If we are planning a difficult camping trip through wild, uninhabited country, the emotional scale tells us we should not choose a companion who mopes around complaining that it all sounds too hazardous. We should take the fellow who's looking forward to the trip.
People low on the scale don't look forward to things. The less willingly a person contemplates the future, the lower are his chances of surviving.
For identification, Ron Hubbard gave the various emotions a name and a number as he arranged them in order. He called his final sequence The Emotional Tone Scale. Each emotional position is called a "tone." Just as every musical tone is a sound of definite pitch and vibration, so each tone on the emotional scale contains its unique identifying characteristics. It would be hard to play a piano if the keys were intermixed rather than in succession. Similarly, it's nearly impossible to understand people and help them improve without an accurate scale to tell us exactly how high or low a person is on the emotional keyboard.
The dividing line of the tone scale is 2.0. Above this point, the person is surviving well. Below this level, his life expectancy is much poorer. Using this line, we refer to the people above it as "high-tone" or "upscale." People below 2.0 are "low-tone" or "downscale."
Whereas a high-tone person is rational, the low-tone person operates
irrationally. The lower his tone, the more a person's decisions and behavior
are governed by emotional feeling, regardless of his education or intellect.
When we hear of the staid, "respectable" bank president with a devoted family who unexpectedly embezzles a hundred thousand dollars and absconds to South America with a young belly dancer, we may ask: "Whatever was he thinking of?" That's the trouble, of course. He wasn't thinking. He was feeling. Emotions ruled him as they do almost everyone. Likely such a person would take us by surprise only because his emotional tone was a restrained one. Some emotions are obvious because they're expressed. But Ron Hubbard observed that beneath every expressed emotion there lies a band of restrained emotions:
( Enthusiasm) 4.0 ) ENTHUSIASM—expressed
(Interest) 3.5 ) (Conservatism ) 3.0 ) ENTHUSIASM—restrained ( Boredom ) 2.5 )
(Antagonism) 2.0 ) (Pain) 1.8 ) HOSTILITY—expressed (Anger) 1.5 )
(No Sympathy) 1.2 ) HOSTILITY—restrained (Covert Hostility) 1.1 )
( Fear) 1.0 ) FEAR—expressed
(Sympathy) 0.9 ) FEAR—restrained (Propitiation) 0.8 )
(Grief) 0.5 ) GRIEF—expressed
(Making Amends) 0.375 ) (Apathy) 0.05 ) GRIEF—restrainedWith the discovery of these subtle, restrained emotions, fitting like layers of a club sandwich between the expressed emotions, we now have a new classification of man's many attitudes about life.
None of this means that a person is locked permanently into any particular position. People can change. And sometimes a high-tone individual can fall sharply for a brief period. But if he is high-tone enough, he will bounce back.
Once we know the basic characteristics of each emotion, we can meet a person for the first time and, within minutes, we can understand his present frame of mind. Longer observation will show us his most frequent (habitual) emotion. We will then know how well he's surviving and whether he will be an asset or a liability in our relationship. We will know how well he can execute a job, how truthful he is, how accurately he can relay a message or follow orders, how he feels about sex and children and whether or not we would want to be stranded on a desert island with him. This is better than relying on whims and folksy prejudices handed down from Grandma. Actually, it's the only possible way to choose your people.